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Nathan Eugene Carson is a Canadian contemporary artist, mainly working in painting and collage. Known for figurative explorations of hybrid creatures, animals, and human figures—both fictional and historical—Carson's subjects emerge from richly pigmented surfaces, and shed light on narratives that weave together themes of...

Dated 1976, Orgasmic Force #2 by American artist Walter Kamys is pure movement on paper. Swirling lines and saturated washes of watercolour overlap and collide, creating a composition that feels spontaneous, expressive, and full of life. Signed by the artist and presented in its...

The surface feels alive with rhythm, as if the grid is quietly vibrating rather than sitting still. Opus 601 (1967) is a graphic work by Adolf Richard Fleischmann, built from repeated verticals and blocks of colour that reflect his deep interest in movement, structure,...

Lucas Biagini is a painter who rarely uses brushes. He moulds, slices and forms mixtures of oil paint with clays to sculpt relief-like paintings that are highly textured and layered.His abstract paintings utilize colour and shapes that are often reminiscent of tectonic plates, fault...

Herma Körding's "Model" (1956) pulses with the influence of Fauvism and postwar Expressionism, layering broad, rhythmic brushstrokes in vivid, contrasting hues to create both form and motion. Painted during her early Düsseldorf years, this work reveals her departure from academic restraint toward a bolder,...

This exhibition poster for Mobiles de Calder was produced for Galerie Maeght in Paris, featuring Alexander Calder's signature floating forms in bold primary colour and sweeping black line. Graphic and playful, it captures the movement and balance that define Calder's work, bringing a strong...

Layers of burgundy oil paint are scraped and shaped to create the subtle portraiture. Signed by the artist, 1951, and framed in a rudimentary handmade wood lathe frame with exposed nails.

This signed edition print, titled "Woven Hills IV," beautifully intertwines abstraction with tranquility. Signed and numbered, it features arched bands in muted earth tones, skillfully layered to evoke the gentle contours of rolling hills. Each curve subtly suggests depth and movement, inviting viewers to...

The Smiling by Tal R., is a large-scale silkscreen on mirror that turns the room into part of the artwork, because why let the walls have all the fun? Born Tal Rosenzweig, the Danish artist is known for his “kolbojnik” approach, a Hebrew term...

Robert Loughlin (1949-2011) was an elusive street artist and part of the 1980s New York graffiti scene which included Basquiat, Haring and Scharf. Loughlin often used discarded objects and furniture sourced from flea markets as his canvases. First known as a collector and dealer...

The print titled "Strokes" features bold, sweeping arcs in a vibrant spectrum of colours, ranging from fiery reds to cool blues and greys. The fluid forms, reminiscent of graceful brushstrokes, dance across the paper with energetic precision. This abstract composition embraces simplicity, allowing the...

'Stela', the large-scale abstract painting by Canadian artist John Anderson from 1973 features a soft, rectangular composition with layers of cream, beige, and muted purples. The colours dance subtly across the canvas, creating the illusion of depth and mystery. A whisper of whimsy suggests...

Toronto-artist Lynn Mills's diptych of watercolour on paper, floats beautifully in its wood frame. *All items are sold as-is, and all sales are final. We make every effort to provide condition reports where available and accurately showcase any areas of wear or concern; however,...

Painted by Engelen Manu in 2011, this canvas transforms a pink grid into something shifting and uncertain, where space seems to tilt and dissolve. Grey veils and dripped pigment blur its structure, leaving the sense of a landscape caught mid-breath.

The decorative wall object 'Serene' brings harmony to any space with its minimalist design.‎ An eye-catching creation made of papier-mâché, with a relaxing design in beige colours.‎

Lithograph print in subtle, pastel hues. Signed, dated and numbered (12/90) in pencil, by the Artist, Robert Natkin (American, 1930-2010).

1983 "Memphis Milano in London" original show poster for The Conran Foundation. Framed in a simple wood gallery frame.

Shades of periwinkle and blue, grey and lavender descend into pinks and magentas, on the abstracted leafy print . Signed and dated by the Artist, Dan Bowman.

Pleasing blocks of rust and ochre contrast the dark ground on this simple and abstract colour study. Suspected 1960s. Unframed.

A pleasing, yet still artful, geometry on the expressive painting by German artist Peter Robert Keil, housed in a simple silver gallery frame. A signature red lip makes its intended statement.