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Graphic and expressive, this painting captures two figures in a face-off that holds your gaze. Signed by the artist, "Millar '99'.Mixed media on paper - freshly framed and ready for hanging.

A punch of red anchored by shadowy blocks gives Gaudette (1980) its bold, almost rhythmic pull, landing Georg Meistermann's abstract vision right into the mix of your space.Signed Edition 5/140.Georg Meistermann (1911–1990) used abstraction, colour, and light to redefine post-war modernism, creating over a...

“Fusion” by American artist Walter Kamys, sees creamy loops, blue sweeps, and a warm ochre field seem to tumble together mid-motion, like sky and earth getting swept into the same current.The work is titled, signed and dated by the artist.

Eight figures, rendered in muted oils, line up in a steady rhythm across the board. Painted in 2000 by Belgian artist Gijsen Jef, this small work carries a raw immediacy, the bodies sketched with a restraint of gesture that leaves space for interpretation. It...

Ricardo Angélico's "Figura Feminina na Floresta" unfolds with an easy, almost magical calm.

Hans Broek (b.1965) is a painter of Dutch origin, known for landscapes and interiors. In this large-scale work, a red pool table draws you into an opulent domestic scene, with two male figures caught in reflective poses. There's a mystery to the moment, underscored...

“Eternal Waves” by Lee Pirrotti reimagines the sea in vivid greens that blur the line between water and land; at first glance, it's hard to tell whether you're looking at crashing waves or rolling hills.

"Éphèbe" is a 1968 etching with a slender, architectural figure that reads like a carved column dressed up as a body. Soft lines and pale shading keep it restrained, while the black frame gives it a gallery-ready finish.Newly framed, signed and editioned print, numbered...

"Éphèbe" is a 1968 etching with a slender, architectural figure that reads like a carved column dressed up as a body. Soft lines and pale shading keep it restrained, while the black frame gives it a gallery-ready finish.Newly framed, signed and editioned print, numbered...

His abstract paintings utilize colour and shapes that are often reminiscent of tectonic plates, fault lines or topographical maps – with organic forms and valleys stretching across the canvas. In some of his works we are reminded of skin, the body and our emotions...

Herma Körding's "Daisy Bouquet" brings a burst of sunshine indoors, in her rendering of a vase of vivid yellow blooms. The densely detailed weave of colour, texture, and form, is bound together with striking clarity; each element in balance with the next. Körding's confident...

A striking large-scale abstraction by American painter Roland Wise, Corner of Room reimagines the familiar contours of domestic space. The work hums with an underlying vitality, its subdued tones animated by dynamic brushwork and shifting light. The suggestion of tables and chairs emerges through...

In "Blooming and Dying with the Example of a Large Tulip Tree" (2000), Herma Körding embraces the complexity of the life cycle with clarity and fearlessness. The tree's blossoms are rendered in various stages of vitality and decay, suggesting not only time's passage but...

A ceiling-hung biofireplace is a modern and stylish solution for adding a cozy and beautiful element to any room. This type of biofireplace is designed to hang from the ceiling, and it can provide an impressive visual effect, while creating a warm and inviting...

“Bark of Plane Tree I, Provence, France” (1994) by Evelyn H. Lauder takes a close look at nature, zooming in on the surface of a tree until it looks more like a painting; patches of soft pink, ochre, and green blend into a calm,...

"Back View of Half Nude" (1953) reveals Herma Körding's gift for quiet observation, capturing a moment that feels both intimate and self-contained. The figure's turned posture and softened palette create a gentle tension - caught somewhere between vulnerability and self-possession - while Körding's measured...

"Arm n" (2004), the inkjet print on paper by Berlin artist Margret Holz, is a study in mystery and allure. Signed on back, the abstract piece is presented in a simple wood gallery frame.

This exhibition poster was produced for the 1978 Alberto Giacometti show at Fondation Maeght in Saint-Paul. Featuring one of Giacometti's elongated, solitary figures in loose sketch form, the composition feels spare and contemplative, bringing a quiet modernist presence to the wall.

This unframed canvas brings a sense of movement and drama to a classically inspired scene. The figures are bold and sculptural, their forms defined by confident brushwork and dynamic posture. Painted on raw canvas, the piece feels immediate and unpolished in the best way...

"Abstract Composition" (1990) has that wild, just-go-for-it energy, like someone caught in the act of turning impulse into art. Signed print on paper, newly housed in a simple black gallery frame.